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Authors:
STRECKER BN
MCCANN PJ
FANG XM
HAUENSTEIN RJ
OSTEEN M
JOHNSON MB
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Citation: M. Osteen, THE FICTIONS OF JOYCE,JAMES AND LEWIS,WYNDHAM - MONSTERS OF NATURE AND DESIGN - KLEIN,SW, Studies in the novel, 29(1), 1997, pp. 126-128
Citation: M. Osteen, WHO PAID FOR MODERNISM - ART, MONEY, AND THE FICTION OF CONRAD, JOYCE, AND LAWRENCE - WEXLER,JP, Modern fiction studies, 43(4), 1997, pp. 1033-1035
Citation: M. Osteen, JOYCE, BAKHTIN AND THE LITERARY TRADITION - TOWARD A COMPARATIVE CULTURAL POETICS - BOOKER,MK, Modern fiction studies, 43(2), 1997, pp. 515-517
Citation: M. Osteen, CHILDREN OF GODARD AND COCA-COLA - CINEMA AND CONSUMERISM IN DELILLO,DON EARLY FICTION, Contemporary literature, 37(3), 1996, pp. 439-470
Citation: M. Osteen, THE TREASURE-HOUSE OF LANGUAGE, MANAGING SYMBOLIC ECONOMIES IN JOYCE 'PORTRAIT OF THE ARTIST AS A YOUNG MAN', Studies in the novel, 27(2), 1995, pp. 154-168
Citation: M. Osteen, A SPLENDID BAZAAR - THE SHOPPERS GUIDE TO THE NEW 'DUBLINERS'( COMPARING EDITIONS OF JOYCE,JAMES CURRENTLY AVAILABLE ), Studies in short fiction, 32(3), 1995, pp. 483-496
Citation: M. Osteen, RADICAL REPRESENTATIONS, POLITICS AND FORM IN UNITED-STATES PROLETARIAN FICTION, 1929-1941 - FOLEY,B, Novel, 28(3), 1995, pp. 348-351
Citation: M. Osteen, THE MONEY QUESTION AT THE BACK OF EVERYTHING - CLICHES, COUNTERFEITS AND FORGERIES IN JOYCE 'EUMAEUS'( JOYCE,JAMES ), Modern fiction studies, 38(4), 1992, pp. 821-843