Citation: H. Vollmer, THE LOST HOMELAND IN A FARAWAY PLACE - KAFKA,FRANZ FRAGMENT 'ERNST LIMAN', Zeitschrift fur deutsche Philologie, 117(2), 1998, pp. 255-273
Citation: H. Vollmer, THE DESPAIR OF THE ARTIST - KAFKA,FRANK N ARRATIVE 'ERSTES LEID' - A PARABLE OF ARTISTIC BORDER EXPERIENCES, Deutsche Vierteljahrsschrift fur Literaturwissenschaft und Geistesgeschichte, 72(1), 1998, pp. 126-146
Citation: H. Vollmer, FINISHING BEFORE HES STARTED ... + ULRICH,JOCHEN WILL NOT SUCCEED HOFGEN AS DIRECTOR OF BALLET IN HANOVER, Ballett international, Tanz aktuell, (8-9), 1997, pp. 118-118
Citation: H. Vollmer, AFTER 'CITIZEN KANE' -FORUM( ULRICH,JOCHEN TAKES HIS LEAVE OF COLOGNEAND THE TANZ), Ballett international, Tanz aktuell, (6), 1997, pp. 23-23
Citation: H. Vollmer, VAMOS OLD HAT + VAMOS,YOURI PROGRAM FOR THE 1996 1997 SEASON OF THE BALLETT-DER-DEUTSCHEN-OPER-AM-RHEIN IN DUSSELDORF-DUISBURG/, Ballett international, Tanz aktuell, (5), 1997, pp. 20-20
Citation: H. Vollmer, IF MUSIC BE THE FOOD OF DANCE + NEUMEIER,JOHN CHOREOGRAPHS 'VIVALDI ODER WAS IHR WOLLT', Ballett international, Tanz aktuell, (2), 1997, pp. 45-45
Citation: H. Vollmer, DANCE NOTES FROM THE LAND OF MILK AND HONEY - WHY DANCE THRIVES IN NORDRHEIN-WESTFALEN BETTER THAN ELSEWHERE, AT LEAST, IN GENERAL, Ballett international, Tanz aktuell, (10), 1997, pp. 20-24
Citation: H. Vollmer et O. Scheytt, SCHEYTT,OLIVER, ARTS DIRECTOR OF THE CITY OF ESSEN + AN INTERVIEW, Ballett international, Tanz aktuell, (10), 1997, pp. 22-22
Citation: H. Vollmer et A. Neumannschultheis, NEUMANNSCHULTHEIS,ANNE, MANAGING DIRECTOR OF THE LANDESBURO-TANZ-NRW AND THE GZT + AN INTERVIEW, Ballett international, Tanz aktuell, (10), 1997, pp. 23-23
Citation: K. Schmidtke et H. Vollmer, RETROGRADE-AMNESIA - A STUDY OF ITS RELATION TO ANTEROGRADE AMNESIA AND SEMANTIC MEMORY DEFICITS, Neuropsychologia, 35(4), 1997, pp. 505-518
Authors:
ODENTHAL J
AMORT A
FEUCHTNER B
DRAEGER V
FISCHER EE
GRADINGER M
KOEGLER H
LANGER R
REGITZ H
SCHEIER H
SCHMIDT J
VOLLMER H
WITZELING K
Citation: J. Odenthal et al., THE 1995-1996 SEASON CRITICS SURVEY + DANCE CRITICS IN GERMANY AND AUSTRIA ON CURRENT DEVELOPMENTS FOR THE FUTURE OF DANCE, Ballett international, Tanz aktuell, (8-9), 1996, pp. 84-88
Citation: H. Vollmer, HOPES FOR MUNSTER -TANZSTUDIO IN GOLDIN,DANIEL LATEST WORK 'ESPERAS'(THE FOLKWANG), Ballett international, Tanz aktuell, (7), 1996, pp. 29-29
Citation: H. Vollmer, TRANSITORY MODERNISM -GRAHAM-DANCE-COMPANY( WILSON,ROBERT 'SNOW ON THE MESA' FOR THE MARTHA), Ballett international, Tanz aktuell, (7), 1996, pp. 30-30
Citation: H. Vollmer, POLISHED DANCE, DUBIOUS AESTHETICS -BALLETT-THEATER MAKES A NEW STARTUNDER PUTTKE,MARTIN( ESSENS AALTO), Ballett international, Tanz aktuell, (4), 1996, pp. 26-26
Citation: H. Vollmer, A CENTER FOR DANCE -ZOLLVEREIN IN ESSEN IS TO BE GERMANYS FIRST CENTER OF CHOREOGRAPHY( THE ZECHE), Ballett international, Tanz aktuell, (12), 1996, pp. 31-31
Citation: H. Vollmer, AN EVENING FOR THE DANCERS - WHERLOCK,RICHARD DEBUT AS DIRECTOR OF BALLET IN LUZERN - INTRODUCTION, Ballett international, Tanz aktuell, (11), 1996, pp. 20-20