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Results: 1-25 | 26-50 | 51-69
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Authors: Wilson, PN
Citation: Pn. Wilson, "Sound come into its own" - American music finds itself, N Z MUSIK, 162(5), 2001, pp. 12-17

Authors: Wilson, PN
Citation: Pn. Wilson, Mediator between reason and intuition - James Tenney's polymorphous world of sound (With a selected discography), N Z MUSIK, 162(5), 2001, pp. 34-36

Authors: Wilson, PN
Citation: Pn. Wilson, 'Inscape, Tableaux' - Intakt-CD-066 (Barry-Guy-New-Orchstra), N Z MUSIK, 162(4), 2001, pp. 78-78

Authors: Wilson, PN
Citation: Pn. Wilson, 'Mistakes' - DATA-011 (Bergin, Reijseger), N Z MUSIK, 162(4), 2001, pp. 79-79

Authors: Wilson, PN
Citation: Pn. Wilson, Open content - Open aesthetics of musical collaboration, OSTER MUSIK, 56(6), 2001, pp. 12-19

Authors: Wilson, PN
Citation: Pn. Wilson, Eduard Hanslick on detrimental effect of bad piano-playing style, DU, (9), 2001, pp. 101-101

Authors: Wilson, PN
Citation: Pn. Wilson, The unnatural in music, DU, (6), 2001, pp. 112-112

Authors: Wilson, PN
Citation: Pn. Wilson, 'Gran tiempo' - Tacuabe-TE-25CD (Aharonian), DU, (5), 2001, pp. 102-102

Authors: Wilson, PN
Citation: Pn. Wilson, The violin explained. Components, mechanism, and sound, DU, (4), 2001, pp. 98-98

Authors: Wilson, PN
Citation: Pn. Wilson, On the art music comprehension, DU, (3), 2001, pp. 95-95

Authors: Wilson, PN
Citation: Pn. Wilson, Remembering secondary school music lessons, DU, (2), 2001, pp. 6-6

Authors: Wilson, PN
Citation: Pn. Wilson, Social capital, trust, and the agribusiness of economics, J AGR RESOU, 25(1), 2000, pp. 1-13

Authors: Wilson, PN
Citation: Pn. Wilson, The reductionist impulse - Minimalism between Fluxus and pop culture, N Z MUSIK, 161(5), 2000, pp. 12-15

Authors: Wilson, PN
Citation: Pn. Wilson, The New York School - Earle Brown, John Cage, Morton Feldman, Christian Wolff, N Z MUSIK, 161(5), 2000, pp. 88-88

Authors: Wilson, PN
Citation: Pn. Wilson, Improvised music and the music of the world, N Z MUSIK, 161(4), 2000, pp. 34-39

Authors: Wilson, PN
Citation: Pn. Wilson, Sounds like a machine gun - Free jazz - From offence to historical style, N Z MUSIK, 161(3), 2000, pp. 42-49

Authors: Wilson, PN
Citation: Pn. Wilson, 'Impressions of Monk' - Nuscope-CD-1006 (Grawe, Mattos, Vatcher), N Z MUSIK, 161(3), 2000, pp. 71-71

Authors: Wilson, PN
Citation: Pn. Wilson, 'Bass Duets' - FMP-CD-102 (Kowald, Phillips, Guy, Altena), N Z MUSIK, 161(3), 2000, pp. 73-73

Authors: Wilson, PN
Citation: Pn. Wilson, 'En-Tropo-Logy' - For-4-Ears-CD-1036 (Brennan, Picard, Prevost), N Z MUSIK, 161(3), 2000, pp. 74-74

Authors: Wilson, PN
Citation: Pn. Wilson, 'Quartet Noir, Suite en 8 Mouvements' - Victo-cd067 (Leimgruber, Crispell,Leandre, Hauser), N Z MUSIK, 161(2), 2000, pp. 83-83

Authors: Wilson, PN
Citation: Pn. Wilson, 'Identity' - Leo-Records-CD-LR-282 (Wintsch, Hemingway, Oester), N Z MUSIK, 161(2), 2000, pp. 83-83

Authors: Wilson, PN
Citation: Pn. Wilson, 'Lavin' - Intakt-CD-058 (Niggli, Courvoisier), N Z MUSIK, 161(2), 2000, pp. 84-84

Authors: Wilson, PN
Citation: Pn. Wilson, It's all over now - The music of a generation - 40 years of rock and jazz, N Z MUSIK, 161(2), 2000, pp. 89-89

Authors: Wilson, PN
Citation: Pn. Wilson, The spirit in the machine - Strategies against the rationality of the keyboard, N Z MUSIK, 161(1), 2000, pp. 18-21

Authors: Wilson, PN
Citation: Pn. Wilson, 'Musik, Philip Glass', N Z MUSIK, 161(1), 2000, pp. 87-87
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