Although much has been written concerning music television in the popu
lar press and in academic publications, there has been little empirica
l research addressing the consumption imagery that accompanies the aes
thetic elements of music videos. Given the potentially important role
played by this medium in adolescent consumer socialization, this may b
e a significant oversight This study examines the prevalence and natur
e of consumption imagery in music television, with emphasis on the cov
ariation of this imagery with different musical genres. We present dat
a from the United States and Sweden-two cultures with very different h
istories with music television. Implications are drawn for the sociali
zing effects of music television in different cultures.