This article investigates identity in two autobiographies and two life
-history interviews from North Africa. The autobiographies show, the c
entrality of ''key'' self-representational symbols which the authors s
electively draw from their cultural lexicon but invest with idiosyncra
tic affective meanings. The Life narratives show, how the ''structured
ambiguity'' of self-symbols allow them to be reconfigured to articula
te contrasting identities, amend which cite narrators shift. Generativ
e models of musical cognition describe crucial features of this multip
licity. Against both modernist and postmodernist views of culture and
self, narrative data argue for a distributed model of culture and for
a theory multiple identities integrated by ''key'' cultural symbols.