Citation: L. Dupre, Unfolding time: Memory and temporality in Denise Desautels' La 'Promeneuseet l'oiseau' and 'Ce fauve, le Bonheur', VOIX IMAGE, 26(2), 2001, pp. 302-316
Citation: V. Roy, Nineteenth-century critical reception of Pierre-Joseph-Olivier Chauveau's Charles Guerin. The emergence of a national literature (Francophone Canada), VOIX IMAGE, 26(2), 2001, pp. 339-358
Citation: B. Gervais, The art of burning one's fingers. The imaginary of the ending of Gaetan Soucy's La 'Petite fille qui aimait trop les allumettes', VOIX IMAGE, 26(2), 2001, pp. 384-393
Citation: L. Saint-martin, Two common places revisited (Elaine Audet, Lucie Joubert, feminist literature, Quebec), VOIX IMAGE, 26(2), 2001, pp. 411-414
Citation: J. Cardinal, Exorcising the immonde. The word and the sacred in Michel Tremblay's 'Sainte Carmen de la Main', VOIX IMAGE, 26(1), 2000, pp. 18-39
Citation: G. Baril, The immonde as intent, motive and offence of writing (Victor-Levy Beaulieu, Un 'Reve quebecois'), VOIX IMAGE, 26(1), 2000, pp. 40-59
Citation: M. Couillard et P. Imbert, Speaking in the name of the people in 19th-century French Canada: Arguments and decontextualization, VOIX IMAGE, 26(1), 2000, pp. 109-127
Citation: R. Patry, The German gentleman and the thieves of the spirit: 'Loutiquenne' and '(de) Queclin' in the works of Jacques Ferron, VOIX IMAGE, 26(1), 2000, pp. 145-165