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Results: 1-25/232
Authors:
Barnett, RL
Citation: Rl. Barnett, The errant and Racinian transgressions: Towards a new semiotics of tragic discourse, SYMPOSIUM, 55(1), 2001, pp. 3-14
Authors:
Gregoire, V
Citation: V. Gregoire, School and suffering in the works of Malraux, Sartre, and Camus, SYMPOSIUM, 55(1), 2001, pp. 15-28
Authors:
Thibault, B
Citation: B. Thibault, Meditation and education: The archetype of the initiation in J.M.G. Le Clezio's 'Lullaby', SYMPOSIUM, 55(1), 2001, pp. 29-41
Authors:
Archambault, PJ
Citation: Pj. Archambault, Intellectual impostures, SYMPOSIUM, 55(1), 2001, pp. 43-47
Authors:
D'Alessandro, M
Citation: M. D'Alessandro, Renaissance transactions: Ariosto and Tasso, SYMPOSIUM, 55(1), 2001, pp. 49-51
Authors:
Ferme, VC
Citation: Vc. Ferme, Vincenzo Cardarelli and his contemporaries, SYMPOSIUM, 55(1), 2001, pp. 51-052
Authors:
Rolon-Collazo, L
Citation: L. Rolon-collazo, Spanish women writers and the essay, gender, politics, and the self, SYMPOSIUM, 55(1), 2001, pp. 52-54
Authors:
Lee, S
Citation: S. Lee, Flaubert's blague superieure: The secular world of 'Madame Bovary', SYMPOSIUM, 54(4), 2001, pp. 203-207
Authors:
Menton, S
Citation: S. Menton, Bolivian guerillas, revolutionaries, and terrorists: 3 novelistic visions and a personal account, SYMPOSIUM, 54(4), 2001, pp. 218-229
Authors:
Mole, GD
Citation: Gd. Mole, Apocalypse and redemption in the narrative works of Bruno Durocher, SYMPOSIUM, 54(4), 2001, pp. 230-243
Authors:
Muratore, MJ
Citation: Mj. Muratore, Historical impostors, fictional truths: La 'Princesse de Cleves' (Lafayette), SYMPOSIUM, 54(4), 2001, pp. 245-258
Authors:
McCort, D
Citation: D. Mccort, In praise of antiheroes: Figures and themes in modern European literature,1830-1890, SYMPOSIUM, 54(4), 2001, pp. 259-260
Authors:
Schilling, D
Citation: D. Schilling, Naming and unnaming: On Raymond Queneau, SYMPOSIUM, 54(4), 2001, pp. 261-263
Authors:
Byford, A
Citation: A. Byford, Art and reality in Zamiatin's poetic theory, SYMPOSIUM, 54(3), 2000, pp. 139-158
Authors:
Gabriele, JP
Citation: Jp. Gabriele, Reading La 'Celestina' from a fin de siglo feminist perspective, SYMPOSIUM, 54(3), 2000, pp. 160-168
Authors:
Ippolito, C
Citation: C. Ippolito, Flaubert's pearl necklace: Weaving a garland of images in the reader's memory, SYMPOSIUM, 54(3), 2000, pp. 169-186
Authors:
Knapp, BL
Citation: Bl. Knapp, Intellectual passions, vol 1, Desires for glory (1735-1751), SYMPOSIUM, 54(3), 2000, pp. 188-192
Authors:
Colilli, P
Citation: P. Colilli, On the threshold to pre-purgatory. Poetry and narrative art in the passages introducing the ascent ('Purgatorio' I-III 66), SYMPOSIUM, 54(3), 2000, pp. 193-194
Authors:
Schneider, GK
Citation: Gk. Schneider, Understanding Friedrich Durrenmatt, SYMPOSIUM, 54(3), 2000, pp. 195-196
Authors:
Racevskis, R
Citation: R. Racevskis, The labyrinth of Versailles: Critical trajectory from Moliere to La Fontaine, SYMPOSIUM, 54(3), 2000, pp. 196-198
Authors:
Brault, GJ
Citation: Gj. Brault, Reflections on Daudet's La 'Derniere classe, recit d'un petit Alsacien', SYMPOSIUM, 54(2), 2000, pp. 67-76
Authors:
Hanrahan, M
Citation: M. Hanrahan, Oublire: Cixous's poetics of forgetting, SYMPOSIUM, 54(2), 2000, pp. 77-89
Authors:
Nolan, W
Citation: W. Nolan, Frenhofer's suicide and the downfall of Le Baron Gros, SYMPOSIUM, 54(2), 2000, pp. 90-112
Authors:
Thibault, B
Citation: B. Thibault, The fall of Communism and the acceleration of history in Daniele Sallenave's Les 'Trois minutes du diable', SYMPOSIUM, 54(2), 2000, pp. 113-125
Authors:
Gala, CS
Citation: Cs. Gala, Son of Andalusia. The lyrical landscapes of Federico Garcia Lorca, SYMPOSIUM, 54(2), 2000, pp. 127-128